*~ the Buried Pirate's Treasure of     
`           Haunted Shell Island ~*
a swashbuckling tale of wild adventure upon the high seas of the Gulf of Mexico and
Caribbean Sea !! *~V8~*+
written and illustrated by the World Famous Artist Sean Terrence Best !! *~V8~*+
Date of first publication: Wednesday June 29 2011 ~*
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*~ the Buried Pirate's Treasure of Haunted Shell Island ~*
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Chapter I
the Mysterious Chest

Chapter II
the One~Eyed Marauder

Chapter III
the Old Buccaneer

Chapter IV
the Boat: Lunar Sea

Chapter V
Charlie Chains

Chapter VI
the Voyage to Haunted Shell Island

Chapter VII
the Castaways: Klyde and Priscilla

Chapter VIII
Shipwreck of the Sea~Hag

Chapter IX
the Incident in Bullshark Lagoon

Chapter X
the Hidden Treasure of Captain Bones Stoker  
Psychological Thrillers Creaking Gate
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Gulf of Mexico Florida Straights Dry Tortugas Bermuda Key West Caribbean Sea


*~ the Buried Pirate's Treasure of
`                 Haunted Shell Island ~*
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Chapter I:
*~the Mysterious Chest~*

To this very day not all the hidden treasure of the dreaded pirate,
Captain Bones Stoker, has been found.  Indeed, the larger part
of it is still lying there.....waiting.  Buried beneath the sugar
white sands of haunted Shell island.  The story I'm about to tell
you is true.  It all started one nippy fall night in Bunker's Cove at
the Lazy Grill'n'Grog owned by the Commodore.  The
Commodore was six feet four inches tall, weighed two hundred
seventy~five pounds, had a fuzzy, bright red beard which draped
over his chest like a rug, and a voice, when he chose it to be so,
that resonated like cannon fire commanding the attention and
respect of all those in earshot.  Starting his maritime career at
the tender age of sixteen as a deckhand on a commercial fishing
boat, the Commodore had followed the sea for nigh on fifty
years, covering the length and breadth of the gulf and a good
measure of the Caribbean to boot.  He was a cheerful host and
brown as a nut from the long decades of sea, salt and sun.  The
Commodore wasn't really a commodore, he was a retired
tug~boat captain who had invested his proverbial nest egg, his
life~savings as it were, into a local, run~down dockside building
which had been abandoned for some years.  As it lay in a certain
state of disrepair, both in physical appearance and reputation, it
was just the sort of challenge a retired sea~going tug captain
was looking for to occupy his waning years.  Something "craggy
to break his mind upon", as the Commodore used to say.  This
piece of old wharf real estate had a long, interesting and not
entirely "unsordid" history.  It was originally built as a
warehouse to store cotton and timber to be shipped to Miami,
Cuba and points south.  Later, during the Civil War, it was a
hide~out for deserters as well as a covert munitions dump used
to smuggle powder kegs to the last of the Confederate
hold~outs.  During the roaring twenties the old 3 story wooden
structure had been lavishly furnished with all the fashionable
parlor decor of the day to serve as a "house of hospitality" for
notorious mobsters from the big cities of the north, New York,
Chicago and such the like.  After the end of prohibition, it turned
into a regular house of ill repute until in the late 60's and early
70's, when those who called themselves Hippies occupied it as
what they affectionately referred to as a "flop~house".  Then,
with the advent of the 80's the old wharf~side building was
given new life and many renovations by a husband and wife
creative team.  The husband fancied himself a Salvador Dali.  He
painted many bizarre works of art which he exhibited with pride
and strangeness in the waterfront gallery.  His wife swore
(according to local lore, or gossip depending on your particular
vocabulary) she was Harriet Beecher Stowe re~incarnate.  Well,
during one of their seances, which Mr. and Mrs. Dali Stowe were
apt to have every Saturday night at midnight, a fire broke out (no
one knows how, presumably a candle placed too close to
window curtains touched off the blaze) and nearly gutted the
old, wooden waterfront studio.  They seemed to have lost their
creative thunder after that, the husband and wife creative team,
shortly thereafter abandoning their studio of fine and performing
arts and disappearing without a trace.  They left no forwarding
address, only a deed and title for the property which they had
signed over to the town historical society.  Being steeped in
local legend is the only thing that saved the old building from
being condemned and subsequently torn down.  It was awarded
status as an historic landmark by popular vote and left
unattended for a handful of tourists to marvel at as they followed
their historic landmark map through the scenic routes of Old
Town.  Bunker's Cove was the focal point and town square of
Old Town and this unique, wooden historic landmark was the
exact center of Bunker's Cove.  The old waterfront warehouse
building which had lived so many lives over the last hundred
years was purchased lock, stock and barrel by the Commodore
as the perfect retirement project to keep him busy while he
waited for "the end which was drawing ever near", as he used to
say.  He patched up the Old Town historic landmark, added the
necessary implements to meet the rigorous standards of the
health department and opened the wharf~side pub and eatery of
which he had fantasized for so many years while at the helm of
his sea~going tug~boat.  The Lazy Grill'n'Grog was everything
the Commodore wanted it to be, and even though Old Town was
a bit of an out~of~the~way location, with only that handful of
tourist traffic every summer season, it was deemed a happy
success by it's sole proprietor, Chadwick Staunton Belfen, a.k.a.
the Commodore.  As the Commodore was having his turn at
fixing up the old waterfront building he noticed there was one
part which was perfect just the way it was.  On the first story, the
grand room which he made into the main gathering hall, was a
magnificent and brilliantly colored stained glass window.  This
large, vibrant, decorative glass measured a whole six feet in
height and three feet in width.  It looked out over the Old Town
Bay and when it caught the angled beams of sunset reflected off
the ripples and waves of the bay, it was absolutely majestic to
behold!  The husband and wife creative team, Mr. and Mrs. Dali
Stowe, had commissioned the beautiful stained glass window
from a fine artist, Talma the glass~worker, in Beverly Hills,
California.  They had a big celebration the day it was shipped in
and the local installation crew were sweating bullets that day, I
can tell you.  When it had been successfully installed everyone
in Bunker's Cove came out to see it and were all as pleased and
proud of it as if they owned it themselves.  The design was
maritime romantic composed of two starfish, two sea~cows, two
sea~gulls and two spinning dolphins leaping high out of the
water!  Yes, it was truly spectacular!  When the light beams
shone through those intricately intermingled rainbow colored
segments of glass it seemed as though the creatures embodied
therein shifted and moved....became animated and breathed the
breath of life!  The Old Town Bay where the fabulous stained
glass could be seen even from the water was situated to the
south of the Lazy Grill'n'Grog.  The huge, cherry~wood bar with
mirrors all down the front of it that the Commodore had installed
faced circular windows crafted like the portholes on a ship
which looked to the north over the parking lot; and everyone
was dazzled as they passed by the incredible stained glass
window because the entrance was on the south side.  The
waterfront side where patrons could come by way of the sea and
dock right in front of the Lazy Grill'n'Grog had also a wide,
wooden deck covered with chairs, tables and aqua~blue
umbrellas.  Boats seeking the entertainment and hospitality of
the Lazy Grill'n'Grog pulled right up to a berth along the old
seven~nine wharf which stretched like a crooked finger out into
the clear, shimmering water of the Old Town Bay.  The 16th
century style wooden sign which hung over the door of the Lazy
Grill'n'Grog had the letters of the name of the charming
waterfront public house arranged in a circle around a painted
carving of a schooner captain at the wheel.  Just inside you were
greeted with a genuine buxom beauty figure head staring
straight at you from across the dining area.  Hanging directly
over the cash register of the bar, she was a genuine ornament
from the prow of a clipper ship which sailed the Gulf during the
1850's.  A hardwood dance floor taking up the eastern half of the
main room and small bandstand in one corner rounded out the
charming old waterfront pub and eatery, so that everyone, locals
and tourists alike, grew fond of the Commodore and his Lazy
Grill'n'Grog returning to patronize his dockside establishment
time and time again.  Most of the tables inside which lined the
walls around the first floor of the Lazy Grill'n'Grog would seat
two to four patrons, but the big, long pine table in the center of
the western half of the room would easily accommodate a party
of twenty!  Directly overhead were an array of wrought iron
chandeliers hanging from the ceiling by real ship's anchor
chain.  And of course the Commodore had the pilot's wheel of
his old sea~going tug hanging on the east wall above the dance
floor and the old tug's huge, bronze propeller mounted on a
concrete base just outside the main entrance.  Yes, the Lazy
Grill'n'Grog was a nostalgic, modern~day, old~world maritime
waterfront establishment if ever there was one.  With every
square inch of itself, including its gracious host and hearty
clientele, the Lazy Grill'n'Grog spoke of the salty sea.  Becoming
known locally and familiarly as the 'Grog, the old, wooden
waterfront building was indeed alive anew!  The Commodore
converted the second story into his living quarters.  The third
story, so full of antiques, packing boxes, cobwebs and who
knows what all, he left as it was.  He determined to plunder and
sort through it all when he had time, but so far, he hadn't begun
what would surely be the vastly time consuming task of cleaning
up the cluttered, dank, dusty third story. There were eight of us
regulars who frequented the Commodore's waterfront
establishment at the old seven~nine wharf.  We called ourselves
the "Lazy 8", in honor of our host, and we did while away many's
the hour listening to his salty yarns of the high seas of the gulf.  
And he had some sea~shanties to share too, because he had
been called upon directly by the governor of the state of Florida
to join a blockade armada during the Cuban missile crisis, which
resulted in him actually meeting Fidel Castro in person during a
Marlin fishing tournament made popular by Ernest Hemingway.  
The Commodore had an autographed edition of "the Old Man
and the Sea", and quite a story of how he ended up with such a
cherished tome that was.  Drug traffickers had once shanghaied
the Commodore in the Florida Keys and forced him at gunpoint
to transport a hundred bales of illegal contraband from their
sinking scow all the way to Jamaica, only to end up paying him
a handsome monetary reward for his services when they
unloaded their smuggled cargo on a rainy summer night in the
shallows of Montego Bay.  Well on this particular evening, the
night our story began ( 'T was a chilly, damp, breezy November
evening as the lightening storms and heavy rains of an autumn
cold~front had just passed through earlier that day; popularized
as "the Witch of November" by a certain lamenting, maritime
ballad) the regular crowd of the eight of us had gathered round
to listen to another series of the Commodore's swashbuckling
tales of the wild and untamed high seas of the Gulf of Mexico,
when there was a sudden and quite unexpected rapping upon
the high, heavy oaken door of the 'Grog.  I say unexpected, not
because business was what you'd call slow at our favorite
dockside public house, but because, at this time of year, tourist
season had been over for some two and a half months.  The old
shark shaped knocker upon the front door of the aged
establishment was being hammered against it's rapper and the
loudness of the thumping silenced the Commodore and the rest
of us.  We all sat motionless at the large banquet table in the
middle of the big first floor room of the old wooden building
staring at the door which was being pounded upon by who
knows what from the outside.  The Commodore, seeing that the
rest of us were looking to him for protection, mustered his gruff
sea~faring countenance and rising with a grunt of his wooden
chair upon the wooden floor, marched to the door of the 'Grog
to open it and stand face to face with whatever banged so
furiously upon it from the other side.  We noticed that the
Commodore had one of his burly, hairy hands balled into a fist
as he opened the front door with the other.  To our and the
Commodore's amazement, there was no one there when he
snatched the door open with a fury of determination to end the
commotion.  I say there was no one there, but I do not mean to
intimate to you that there was no thing there, for there was.  
Upon the threshold of the 'Grog sat a heavy looking wooden
chest.  It was about four feet in length, two in width and two in
height.  It had a cushioned seat on top covered with upholstery
of an intricate arabesque pattern with a flying seagull
emblazoned in the center and an elaborately carved set of brass
handles shaped like mermaids on either end.
"Well shiver me timbers", bellowed the Commodore, " someone
has left their chest upon me doorstep!"
"Let's bring it inside!", shouted Emily, the youngest and prettiest
member of our Lazy 8.
"Avast, ye swabs, give ye old Commodore a hand and we'll do
just as she says!"
The male members, five of us there were, the hearty swabs of
our Lazy 8, obeyed with seamanship like quickness the
command of our Commodore.
Cort and I grasped a great brass mermaid handle on one end of
the mysterious chest, Jim and Derrick the handle on the other
end, and our short but stout fellow Hillary stepped to the back
side of the chest to help us maintain our balance as we lugged
the cumbersome load into the main gathering hall of the 'Grog.  
Emily and her comely looking cousin from the plain states,
Elsbeth (pronounced Elzbet), peered on with utter dismay in
their shining green eyes (green eyes seemed to run in Emily's
family) and this feminine attention spurred our efforts into a
pinnacle of activity until we had perfectly positioned our
massive cedar chest into the very center of our now once again
quiet room.  We all stared at the mysterious chest with a
combination of curiosity and delight.  Of the nine of us, the Lazy
8 and the Commodore, no one had a single utterance to speak
for a space of several minutes and finally, with the geniality of a
gracious host, the Commodore asked, "What shall we do now,
me hearties?"
"We open it, of course!", exclaimed Emily.
"Open it how?," Jim quibbed.
"Just grab the lid and pull it up." she retorted.
"What if it's a booby trap?", Cort warned.
"Well" says I "if it is, nobody gets out alive!"
"Stop it, Sean!" Elsbeth chimed in.
"I'm only kidding, Elsbeth."
"Yeah" Derrick sneered, "it could be some vector born virus
disease like Anthrax lurking inside waiting for us to open the lid
so it can contaminate us all and we die gruesome deaths
clutching our swollen throats in agony while our eyes bulge out
of our heads!"
"It's an angry demon spirit inside, that's what it is, " Cort stated
matter of factly, " We're all going to be possessed.  We'll all be
afflicted with boils and sores and we'll run naked through the
streets until we get thrown into the Barnacle Bay Insane Asylum."

"Stop it, you guys!" shrieked Elsbeth,"this isn't funny!"
"We're only joking around Elsbeth, having some fun with this
weird business." I said again, in a useless attempt to calm
Elsbeth before she did herself a serious mischief.
"I don't care, it's getting dark outside, we don't know who or
what left this enigmatic thing on the doorstep and for all we
know, there is a bomb inside!", Elsbeth said almost in tears.  Of
the entire troupe of us, Elsbeth was the most highly educated.  
She always used big fancy words.  Yet in spite of her
high~mindedness, Elsbeth was also easily the most delicate of
constitution.  We all felt sorry for her for reasons which shall be
explained later, so at this point, the Commodore stepped in (as
he always did in such matters) to lend a guiding hand and bring
order out of the growing chaos.
"Let's all just settle down a wee bit and think this thing through.  
Whoever was beatin' on the door so loud wanted to make sure
we found this mysterious chest which they so kindly left upon
our stoop.  Now, perhaps its somebody playin' a prank, or
maybe someone in need of help.  So, we should at least open
the chest to see what's inside, prank or no, so that we can be
sure that if it is someone who needs our help, we do in fact find
out such so as to lend them the helping hand the may truly
need.  Now then, since I'm the master of this house, the duty
falls upon me to take the responsibility of opening the chest, so
if everyone'll kindly stand back a few paces, just for cautions
sake Elsbeth, no need for alarm or concern, I shall indeed do the
honors of opening this here mysterious chest."
Emily stepped up to the chest and laid her hand upon the
ornately designed fabric on the seat atop the massive chest and
said,"Wait.  This looks like what folks used to call a Hope Chest.  
Someone's whole life could be inside here.  Their highest
aspirations, their worst fears.  If we open this chest, this Hope
Chest, we could be invading the privacy of another human
being.  A privacy which they probably never intended for
complete strangers to go probing through.  Should we really
open it?"
"Emily," said I, in a quiet voice of agreement," has a valid point.  
Perhaps we should reconsider about opening the chest, as
tempting as it is to unravel this mystery."
"But," said Cort, eyeing the mysterious chest with narrow,
gleaming concentration,"if they didn't want us to open the chest,
would they really have left it here for us to do with as we
please?"
"Cort is speaking what I'm thinking.", said Hillary as he too
concentrated on the curious object before us in the center of the
large social room of the 'Grog.
"I say we open it," the Commodore offered,"and we can put it to
a vote, but honestly, Cort and Hillary are surely right.  Whoever
left this mysterious chest here wouldn't have left it if they didn't
want us to see inside."
"I think that's true also," said Emily, backing away from the
curiosity peaking chest,"but I just want us to all realize what we
could be about to see.  It's a sort of Pandora's Box.  Once we've
opened it and seen what's inside, we can't close it back and
"unsee" it."
Everyone knew Emily was right.  She always was in such cases.  
We all stood in silence, staring at the mysterious chest in the
center of our cozy room.  The only sound was the howling north
wind blowing autumn chill into Bunker's Cove on a dark and
unusual night in mid~November.  With reverence we paused as
we considered with great levity the act we were about to commit
in opening the mysterious chest which had been anonymously
left for us at the front step of our beloved 'Grog.  With a sigh of
resignation, the mighty Commodore stepped forward, placed his
burly, hairy right hand upon the lid of the mysterious Hope
Chest and gave a lift.  The lid didn't budge.  He tugged at it
again, this time with greater force, still, the heavy lid of the
mysterious cedar chest with the lovely seat~top didn't give a
fraction of an inch.  Out of the shadows, Jayna, the eighth and
heretofore unmentioned member of our Lazy 8, stepped forward
and held out something in the palm of her hand.  It was a small,
soft looking leather pouch tied closed with a short measure of
monofilament fishing line.
"It must have been left with the chest." said Jayna.  "I noticed it
lying on the threshold as I was closing the door.  It's got
something hard inside it.  Could be a key."
Jayna was almost as pretty as Emily.  At nearly six feet, she was
tall and lanky for a young woman of twenty~two; she could have
been a model shaking her stuff in designer fashions on the
runways of Paris, Milan, Tokyo and New York.  Extremely quiet
most of the time, it was indeed rare for Jayna to speak as much
as a single word.  She had pale skin; you could see right
through to her blue and purple blood veins.  Her white~blond
hair and light colored eyebrows gave her an angelic appearance,
but sometimes, when she was partially obscured in shadow, you
couldn't tell if she were a real living girl or a vampire.  She had
the appearance of a corpse at moments like this, otherwise, she
would have matched the healthy, debutante prettiness of five
foot three, one hundred fifteen pound, brown haired, green eyed
Emily to the very last degree.  Yet even though Emily was
nominally prettier, Jayna did have one distinct advantage over
the rest of us........her sixth sense!  She had what some call ESP,
Extra Sensory Perception; Jayna was psychic!
to be continued...................
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Artist Sean Terrence Best !! *~V8~*+